36’s Flow Lyrics – Laddi Chhajla (Feat. Jasmeen Akhtar)

“36’s Flow” by Laddi Chhajla & Jasmeen Akhtar, I was listening to it again and the lyrics are kinda wild. Like, the whole thing was his concept and it got produced by Harinder Joura Majra and Aman Virk, which is cool. Anyway, the opening part with “dead deputy khullia poori” and all that, it feels like he’s talking about this sense of freedom or maybe chaos, you know? Like, the deputy being dead could mean no authority figure, so everything’s open now, and he’s reaching the center somehow. And when he repeats “ajj tak na maapiyaan gurhi,” I think it’s about how some things haven’t been measured or judged until today, which adds to that rebellious vibe. Then he shifts to “rakh samjha ke akhiyan nu” and the daily 36 sector stuff – that part are about keeping your eyes aware, like staying alert while hanging out in sector 36, and “tere warge chhattiyan nu” might refer to people like him, you know, with similar backgrounds or roofs over their heads. It’s all about claiming space and being seen, which hits different when you think about street life.

Then, in the next section, he goes into “navin shor jihde tu chaare” and I mean, that’s all about creating a new noise or making waves, right? Like, he’s the one spreading this energy, and “shaunki malak bhannan de saare” could be about being the enthusiastic owner or leader of everything, which is pretty bold. The line “jeen lana firda naare” – it’s like life is full of slogans or shouts, so he’s always making statements. And when he says “haula banda naal na rakhan,” it’s a reminder not to keep lightweight people around, and “tu rakhe nakhra bhari je” shows he’s all about that pride and attitude. This part is cool because it mixes confidence with a bit of isolation, like he’s selective about who he lets in. Then he jumps to “ji main ghat suit vadh pavan” and all that, which I think is about his style – less suit, more air, so maybe being casual but flashy, like getting “jutti italy to mangavan” for shoes from Italy. And “akh nere na khardi ve” might mean no one can look him in the eye, which adds to the intimidation factor. The repeated “jatti i’m cm pardhi ve” lines – that’s probably about a girl acting like a CM (Chief Minister), so she’s powerful and everyone knows she’s fighting for someone, which gives it this gritty, real feel.

Finally, the last part starts with “ki fortuner’an thar’an” and oh man, that’s all about flexing with luxury cars like Fortuners and Thars, and “pindo aaiye ban-ban daran” could be villages coming in loud or something, like a noisy entrance. The “shami milange ath das 11 ni” bit – maybe it’s about meetings at specific times, and “jach-jach ke kharde aan” means they’re standing around after checking things out, which feels so everyday but tense. When he says “jad pind ch bole path ni,” it’s like when they’re in the village, they talk paths or routes, and then head home, which highlights that divide between rural and maybe urban life. Then “biji kanak te jeeri vaddi” brings in agricultural stuff, like wheat and mustard, and “mare forh fakaare” – dying for fake boasts, so it’s calling out emptiness. The lines “bande nu banda ginde ni” hit hard because it’s about how people don’t really count each other, and “jinne aaye te unne dye” is all about giving back what you get, but “bankaan vich maya chinde ni” suggests that in banks, the illusion of money isn’t broken, so it’s a critique on greed. Ending with “ve tu patt lai ganne di bori” and the Chhajla line – it’s like he’s telling someone to take charge, and “chal jidhar nu jana ve khabbi seat te beh giyan” feels like a casual, wherever-you-go kind of attitude, just sitting on a seat and moving on. Overall, the song layers all these themes of pride, struggle, and reality, which makes it so relatable, you know?