Homicide Lyrics – DIVINE (From "Walking On Water")

Homicide Lyrics – DIVINE (From “Walking On Water”)

Gen-Z Lyrics brings you Homicide Lyrics from the album “Walking On Water [EP]”, performed by DIVINE. The concept for this Translation track originated with DIVINE, who went on to craft it into a impactful masterpiece. The song came to life through Phenom, the producer behind it.


Homicide Lyrics

[Intro: Sukhbir Kalsi]
chaaron taraf jaal bichhaaya gaya
har qadam pe mujhe giraane ki saazish hui
shaitaan ki bhookh badi hai
wo har rooh ko nigalna chaahata hai
par wo bhool gaye
jiske sar par eeshwar ka haath ho
use duniya ki koi taaqat nahi rok sakti

[Verse 1: Divine]
mujhe banna tha bahut bada, banna tha
bhookh ke liye paani aur haath mein jab panna tha
raat mein tha power aur din mein tha sannata
main gaya English mein, bada bhai Kannada
bolta nahi kaun saala
bade dost, Don Dada
todte the khidki fir puchte the kaun maara
lage the ham bars mein
mila tab rebound maara
janawar the concrete pe, zindagi thi Vantara
step dekhe chadhte the, kabhi nahi jump maara
main aur tu same, baarish mein monk maara
mila kitna dhokha, ginti nahi bahut saara
bhai pe koi haath daala, fuck it fir main court ja raha
Gully ho ya highway, Mumbai se main khod daala
gaya tha main comments mein, kisi ne to bot daala
bagal mein mobs daala
har shabd mein cost daala
bhaiyon mein thoughts daala
bana kaise boss saala
Sign of the cross maara

[Hook: Divine]
DIVINE nahi ghar waala
kya ladki kya waada
shaadi nahi kar pa raha
khaali bill bhar pa raha
khaali chill kar pa raha
saala
saala
Aye

[Hook: Divine]
DIVINE nahi ghar waala
kya ladki kya waada
shaadi nahi kar pa raha
khaali bill bhar pa raha
khaali chill kar pa raha
saala saala
kya waada
Aye

[Verse 2: Divine]
naya din naya main
naani pe gaya main
dost badle daya mein
bahut dam rupaiya mein
jinko hasaaya main
usne rulaaya be
Middle name hai Wilson, kisne rukaaya be
dard beche mic pe, uspe chillaya main
Light hai DIVINE mera
kabhi nahi saaya main
Roots tere bhai ki
pura scene hasaaya main
Yes, I’m the one
Business defiant hai
utne pe sher, soya tab hoon giant main
Raps nahi science hai
Rap nahi science hai
Certified rapper, tu certified client hai
Club jab ghuste, ek haath mein pint hai
haath mein jab Rollie, aadmi ka time hai
do ghar Mumbai, do hai Dubai mein
Ex meri Dracula, pichli wo daayan hai
JD aur Ryan hai
abhi bhi vishwaas haan
kis mein haan? bhai mein
abhi bhi vishwaas haan
kis mein haan? bhai mein
abhi bhi vishwaas haan
kis mein haan? bhai mein

[Hook: Divine]
DIVINE nahi ghar waala
kya ladki kya waada
shaadi nahi kar pa raha
khaali bill bhar pa raha
khaali chill kar pa raha
saala saala
Aye

[Hook: Divine]
DIVINE nahi ghar waala
kya ladki kya waada
shaadi nahi kar pa raha
khaali bill bhar pa raha
khaali chill kar pa raha
saala saala
Aye
kya waada

written by: DIVINE

“Homicide” Song Meaning Explained

The Big Picture

So, “Homicide”… right off the bat, it’s such a heavy, aggressive title. But you listen to the song, and you realize it’s not really about literal murder. It’s a metaphor, you know? It’s about the killing of doubt, the killing of the old you, the killing of every single person or plan that tried to take you down. The whole song is this intense testimony of survival in a world that set traps for him at every step. That intro by Sukhbir Kalsi lays it all out—”chaaron taraf jaal bichhaaya gaya” (they laid traps on all sides)… it frames this entire narrative of being hunted, but with this unshakeable core belief that if God’s hand is on your head, no earthly power can stop you. The “homicide” is what he had to commit against all those traps, all that negativity, just to live, just to breathe and rise.

Most Impactful Lines

Okay, there are so many, but the verse just… it’s packed with these cinematic flashes that hit so hard. When he says “raat mein tha power aur din mein tha sannata”… that line are about the duality of that hustle life. Power in the night, the movement, the work, and then this eerie, heavy silence in the day, maybe from exhaustion, maybe from the loneliness of the path. It’s such a vivid contrast. And then later, “janawar the concrete pe, zindagi thi Vantara”… calling themselves animals on the concrete, life was like the wilderness. That just paints the whole picture of Gully life, you know? It was a jungle, survival of the fittest, raw and brutal. But the one that always, always makes me rewind is the blunt confession: “bhai pe koi haath daala, fuck it fir main court ja raha”. It’s this pivotal moment. The street code says one thing, but to protect his brother, he chooses the system, the court. It shows the complexity, the real stakes, where loyalty makes you take a route you never thought you would.

Decoding The Chorus

Man, the hook is so deceptively simple, but it’s the heart of his personal conflict. “DIVINE nahi ghar waala”… right, he’s saying the persona, the rapper DIVINE, isn’t the guy who’s home, the dependable family man. That identity is separate. Then, “kya ladki kya waada / shaadi nahi kar pa raha”… it cuts deep. It’s not just about a girl or a promise, it’s about all the normal life milestones that this grind has cost him. He can’t commit to a relationship, to marriage, because everything is sacrificed to the hustle. The next lines twist the knife: “khaali bill bhar pa raha / khaali chill kar pa raha”. He’s barely managing to pay the bills, forget about actually being able to relax and enjoy any of it. And he just repeats “saala”… like a sigh, a curse, a frustrated exhale at the absurd weight of it all. The chorus isn’t a flex, it’s the bill come due for his success.

Most Relatable Part

Honestly, for me, it’s that entire chorus. Every single time. Because we all have that split, right? The person we are at work, or chasing our dream, and the person we promise to be for our family, our partners, ourselves. That gap where you’re succeeding in one arena but failing in the other, and you feel like you’re letting people down, or just letting your own soul down because you’re too tired to be present. The “khaali bill bhar pa raha” line… it’s so brutally humble. We talk about big money and fame, but he brings it down to the basic stress of just covering your costs, which is a pressure everyone understands. The triumph in the verses feels earned, but the confession in the chorus feels human. That’s the connection.

Conclusion & Overall Message

So what’s it all leaving you with? After all the boasts, the stories of the concrete jungle, the raw honesty about the cost… the song comes back to that core faith from the intro. It’s in the verse where he says “Sign of the cross maara” and the unwavering “vishwaas” (faith) in his brother. The message isn’t just “I survived the streets.” It’s deeper. It’s that through all the plots, the hunger, the betrayal, and even the personal sacrifices of success, your shield is your own spirit and who you choose to believe in. The “homicide” was necessary to kill everything that wasn’t that faith. It leaves you with this gritty, bruised, but unbreakable feeling. Like yeah, the world’s set up to make you fall, but if you’ve got that… that inner something, call it God’s hand or your own fire, then no, “duniya ki koi taaqat nahi rok sakti.” Nothing can stop you. You just gotta keep walking, even when it means leaving pieces of a normal life behind.

Homicide Song Video

Homicide Song Credits

Song Details