Gen-Z Lyrics brings you Mamacita Lyrics from the album Roshni [EP], performed by Ali Zafar x Alistair Alvin. The concept for this Translation track originated with Ali Zafar & Alistair Alvin, who went on to craft it into a impactful masterpiece. The song came to life through Ali Zafar & Vikraah, the producer behind it.
Mamacita Lyrics
O mundeyan de dil utte ditta onay cheera
Kehndi vekho vaal tere jivein charsiya
O kuri ithey aayi ae bandi ae Mamacita
O mere kolon langdi paya ae jora neela
O jado photo kichda main kardi ae na na na
Dramay laa k mainu dendi ae bahana na
O taavin chad di naiyo mera sirhana na
Brown kuri jiven lagdi Rihana na
You know my life is like a movie star
O jealous honde main thon mere yaar
Mere ton hona naiyo pyar vyar
Mein luttan sareyan da dil jivein Escobar
Mere ton sona munda tenu labna nai
Mere ilawa tenu koi jachna nai
Kuri Punjabi par lagdi ae Mamacita
Jado ton tere mundeyan ne bachna nai
O mundeyan de dil utte ditta onay cheera
Kehndi vekho vaal tere jivein charsi aa
O kuri ithey aayi ae bandi ae Mamacita
O mere kolon langdi paya ae jora neela
O jado photo kichda main kardi ae na na na
Dramay laa k mainu dendi ae bahana na
O taavin chad di naiyo mera sirhana na
Brown kuri jiven lagdi Rihana na
Oye lagdi kuri Punjab di ae
Thori jayi kharab vi ae
Shak kare zanani meri
Mein kya ghalti ae sharab di aa
Dil vich mere pe gaya shor
Phar ke kendi laa hun zor
Naseya fer mein kand tapp k motorcycle 124
O mere yaaran ne hi mera patta katteya
O meri tounn to parh k mainu muda satteya
Oye dushman ho gaye kuri de pichey
Police laa ti mere pichey
Yaara mere lutteya
O mundeyan de dil utte ditta onay cheera
Kehndi vekho vaal tere jivein charsi aa
O kuri ithey aayi ae bandi ae Mamacita
O mere kolon langdi paya ae jora neela
O jadu photo kichda main kardi ae na na na
Dramay laa k mainu dendi ae bahana na
O taavin chad di naiyo mera sirhana na
Brown kuri jiven lagdi Rihana na
Chandu ki behna Rihana ne
Saaron ko chandni ka chamak chataya
Jadu ki poori ko drink mein mila k
Phir floor pe hai sab ko nachaya
You know she a baddie
You know she a 10
Banati wo rotiyan
That ain’t a problem
Mama cita kuri ae classy
Kehti sunao mujhe apni album
Hanjee
Soni luk na kumave
Yeah she bonafide
Paa k laal jeya jora
Lage dynamite
Tenu vekh vekh ankhan hondi satisfied
Mere dil kare haaye
Kare aye haaye
O mundeyan de dil utte ditta onay cheera
Kehndi vekho vaal tere jivein charsi aa
O kuri ithey aayi ae bandi ae Mamacita
O mere kolon langdi paya ae jora neela
You know my life is like a movie star
O jealous honde main thon mere yaar
Mere ton hona naiyo pyar vyar
Main luttan sareyan da dil jivein Escobar
written by: Ali Zafar & Alistair Alvin
“Mamacita” Song Meaning Explained
The Big Picture
The song title… Mamacita. Right? It’s this Spanish term of endearment, like “hot mama” or something, but the song is this wild, brilliant fusion of Punjabi pop and modern beats. And that’s the whole point, you know? It’s not just a word they threw in ’cause it sounds cool. It frames her as this universal object of desire, someone who transcends language and culture. She’s a “bandi” from here, but she’s got this global, untouchable aura… a Mamacita. The title tips you off that this isn’t a simple love song, it’s a celebration of obsession, of this specific kind of magnetic, chaotic attraction that feels both local and international, familiar and totally out of reach.
Most Impactful Lines
Man, a few lines just… they don’t leave you. The first one that always gets me is in the verse: “Mein luttan sareyan da dil jivein Escobar.” I mean, come on. He’s saying he plunders hearts like Escobar. It’s not just “I’m a heartbreaker,” it’s tying that feeling to this mythic, almost cinematic level of power and danger and infamy. It’s boastful, it’s a little dark, and it’s so visually potent. Then there’s the chaos she causes: “O mere yaaran ne hi mera patta katteya / O meri tounn to parh k mainu muda satteya.” “My own friends cut ties with me… reading my vibe, they turned against me.” That’s the real cost of this infatuation, right? It isolates you. It turns your world upside down to the point where your own crew doesn’t recognize you anymore. That hits so hard because it’s so true, that kind of all-consuming crush can make you a stranger to everyone, even yourself.
Decoding The Chorus
We all sing along, but let’s sit with it for a sec. “O mundeyan de dil utte ditta onay cheera” – “She’s torn a hole right through the hearts of the guys.” It’s violent and passionate from the jump, she’s not just charming, she’s destructive. Then, “Kehndi vekho vaal tere jivein charsi aa” – “She says, look at your hair, like a ‘charsiyan’s’ (like someone carefree, lost in their own vibe).” It’s a taunt, it’s her pointing out his disheveled, intoxicated state because of her. “O kuri ithey aayi ae bandi ae Mamacita” – This is the announcement, the reveal. “The girl who’s come here is a ‘bandi,’ a Mamacita.” It’s presenting her. And the killer detail: “O mere kolon langdi paya ae jora neela.” “The blue outfit she’s wearing is borrowed from me.” That’s so intimate and specific. It’s not just that she’s stunning, it’s that there’s a history, a personal connection. She has something of his, which makes his obsession feel even more tangled and personal. The whole chorus is this cycle: her destructive power, her mocking observation, her grand title, and then that tiny, devastating personal detail that anchors the whole fantasy in a real memory.
Most Relatable Part
For me, the most brutally human part is the entire spiral of drama that comes from just… liking someone too much. It’s not even the longing, it’s the fallout. The lines about friends turning into enemies, about police maybe getting involved as a joke or a metaphor for trouble, about creating drama and excuses… “Dramay laa k mainu dendi ae bahana na.” “She makes up dramas and gives me excuses.” That’s it. That’s the daily reality of an unbalanced infatuation. You’re constantly over-analyzing, you’re dealing with manufactured chaos, your social circle fractures. It’s less about romance and more about the sheer, exhausting event of being into someone who lives in their own epic. We’ve all been there, right? Maybe not to the “Escobar” level, but that feeling where your crush isn’t just a person, it’s a full-time job managing the emotional wreckage. That’s the relatable heart of it… it’s glorifying the mess, not the fairy tale.
Conclusion & Overall Message
So what’s it all leave you with? Honestly, it’s not a moral lesson. It’s a vibe. The song is a celebration of beautiful chaos. It acknowledges that this kind of attraction is destructive, it isolates you, it turns your friends away and makes you act like a pirate of hearts… but it does it with such a wink and a killer beat that you can’t help but enjoy the ride. The final takeaway is the intoxicating power of the “Mamacita” herself—she’s a force of nature who makes a mess worthwhile. The message is in the fusion, in the Punjabi beats meeting the Spanish title and the English swagger. It’s about a modern desire that’s global, messy, and completely irresistible. You’re left feeling the heat of that blue outfit, the sting of the lost friends, and the boastful thrill of the Escobar line all at once. It’s a whole movie in a song, and you come out of it buzzed on the drama, you know? Ready to hit replay and feel that beautiful chaos all over again.
Mamacita Song Video
Mamacita Song Credits
| Song | Mamacita |
| Artist(s) | Ali Zafar x Alistair Alvin |
| Album | Roshni [EP] |
| Writer(s) | Ali Zafar & Alistair Alvin |
| Producer(s) | Ali Zafar & Vikraah |


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