Gen-Z Lyrics brings you Tracker Lyrics from the album “Back To Roots”, performed by Sharry Maan. The concept for this Punjabi track originated with Raj Ranjodh, who went on to craft it into a impactful masterpiece. The song came to life through The Maple Music & Sharry Maan, the producer behind it.
Tracker Sharry Maan Lyrics
ਓ ਕਰੇ ਯਾਰ ਨਾ ਫਿਕਰ
ਕਿਸ ਲੰਡੀ ਪੁੱਛੀ ਦੀ
ਗੁੱਚੀ ਵਾਲੀ ਨੀ ਰਿਪੀਟ ਹੁੰਦੀ ਸ਼ਰਟ ਗੁੱਚੀ ਦੀ
ਚੱਲੀ ਹੌਲੀ ਹੌਲੀ ਦੋਸਤ ਤੇ ਚਢਾਈ ਜੱਟ ਦੀ
ਵੇਪੇ ਚਲਦੀਆ ਮਨਕ ਦੀ ਉੱਚੀ ਉੱਚੀ ਨੀ
ਹਾਏ ਉੱਚੀ ਉੱਚੀ ਨੀ
ਕੇਸ ਖੁੱਲ੍ਹੇ ਤੇ, ਖੁੱਲ੍ਹੇ ਤੇ
ਜੱਟ ਬੁੱਲੇ ਤੇ, ਬੁੱਲੇ ਤੇ
ਚਾਰ ਸਿਲੀ ਦੀ ਫਿਕਰ
ਜੱਟ ਚੁੱਲੇ ਦੇ ਚੁੱਲੇ ਦੇ
ਲਾਇਆ ਟ੍ਰੈਕਰ ਪੈਰਾਂ ਤੇ
ਚੱਲੇ ਜੱਟ ਨੀ ਸੈਰਾਂ ਤੇ
ਕੇਸ ਖੁੱਲ੍ਹੇ ਤੇ, ਖੁੱਲ੍ਹੇ ਤੇ
ਜੱਟ ਬੁੱਲੇ ਤੇ, ਬੁੱਲੇ ਤੇ
ਕੇਸ ਖੁੱਲ੍ਹੇ ਤੇ, ਖੁੱਲ੍ਹੇ ਤੇ
ਜੱਟ ਬੁੱਲੇ ਤੇ, ਬੁੱਲੇ ਤੇ
written by: Raj Ranjodh
“Tracker” Song Meaning Explained
The Big Picture
There’s something almost funny, and almost serious, about calling a song Tracker when the whole vibe feels like a guy who knows exactly how visible he is, and also does not care one bit. That title sets the tone right away, it suggests movement, attention, maybe even a little bit of being watched, but the song flips that into confidence. The story here is not about hiding, it is about moving so openly that even the usual stress, the usual whispers, the usual small town judgement, all of it just becomes background noise.
What I love is how the song turns style into a kind of armor. The expensive shirt, the slow rise of a friend circle, the smoke, the loud music, the swagger… none of it feels random. It all adds up to one idea, this guy is building his own lane and he is doing it with a kind of stubborn ease. The title works because it feels like a tag on the whole life he is living, something is tracking him, sure, but at the same time he is the one controlling the pace.
Most Impactful Lines
“Challi hauli hauli dost te chadayi jatt di” is one of those lines that stays in your head because it sounds simple, but it really says a lot. Success is not rushed here, it is gradual, almost casual, like the climb is so natural that nobody even notices how much ground has been covered until it is already done. That slow build matters, because it feels earned, not performed.
Then there is “Laaya tracker pair’an te”, which hits differently because it makes the whole song feel watched, followed, noticed, maybe even measured. But instead of sounding scared, the line sounds proud, like being tracked is just proof that people are paying attention now. That is a very modern kind of flex, honestly, not just saying I am here, but saying you cannot look away from where I am going.
And the chorus keeps punching with “Jatt bulle te, bulle te”, because it has that loose, floating confidence to it, like everything is under control even when life is moving fast. It sounds playful, but there is ego in it too, the good kind, the kind that says I have made it through enough to smile at pressure instead of folding under it.
Decoding The Chorus
“Case khulle te, khulle te” immediately sets a risky, noisy atmosphere. Things are out in the open, there is nothing neat or hidden about this life, and that openness itself becomes part of the image. It feels like the song is saying, yes, there are complications, yes, there is heat around this person, but none of it has slowed him down in any real way.
When the chorus moves into “Jatt bulle te, bulle te”, it softens the tension a little, almost like the person at the center of all this is still breezing through it. That repeated rhythm matters because it makes the line feel effortless, like confidence has become muscle memory. It is not a one time statement, it is a mood he keeps returning to.
Then “Chaar sili di fikar” brings in that very grounded, everyday pressure, the kind of thing that reminds you this song is not floating in pure fantasy. There is still money, maintenance, status, all the practical weight of keeping a life like this going. And right after that, “Jatt chulle de chulle de” almost feels like the response, like yes there is pressure, but he is still right there, still holding his place, still not backing off. The chorus works because it keeps bouncing between danger and swagger, worry and ease, like that is exactly how a lot of real confidence actually feels.
Most Relatable Part
The most relatable part for me is not even the flashiest line, it is the sense that life is always being judged while you are trying to grow into yourself. That slow rise, the idea of people noticing your change bit by bit, that hits hard. Most people know that feeling, even if their version of it is less glamorous, because growing up, leveling up, getting respect, all of that happens in small moments that nobody else always sees.
And honestly, there is something very human in the song’s refusal to sound apologetic. It never sits down and explains itself like it owes the world an answer. It just keeps moving. That part always gets me, because so many people spend years trying to look less visible, less loud, less complicated, while this song is doing the opposite, it is leaning into the noise and turning it into identity.
Conclusion & Overall Message
By the end, Tracker feels like a song about being seen before you are fully understood. That is really the core of it. There is confidence, sure, but there is also pressure, recognition, movement, and a kind of self made momentum that refuses to slow down just because life gets loud. It leaves you with the sense that style, status, and swagger are only surface level, the real message is survival with attitude, growth with noise, and pride without apology.
What makes it stick is that it never turns that energy into a lecture. It just lives in it. That is why the track feels bigger than the words on paper, because it sounds like somebody already won a few private battles and is still walking like there are more roads ahead. And yeah, that energy is addictive, you hear it once, then you hear it again, and somehow it feels even more true the second time.
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Tracker Song Video
Tracker Song Credits
| Song | Tracker |
| Artist(s) | Sharry Maan |
| Album | Back To Roots [EP] |
| Writer(s) | Raj Ranjodh |
| Producer(s) | The Maple Music & Sharry Maan |




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