She Gon Call Me Baby Boo Lyrics

Song	She Gon Call Me Baby Boo
Artist	NBA YoungBoy
Album	She Gon Call Me Baby Boo
Written by	YoungBoy Never Broke Again, Mellow Rackz & BrandoBeatz
Produced by	BrandoBeatz

Song Details

She Gon Call Me Baby Boo NBA YoungBoy Lyrics

[1st Part]

[Intro]
(Ayy, Block, crank it up)
That money, it done ran up
Wow
Wow, wow, huh (Huh)
Uh, uh, uh, uh, uh (I’m a gangster)
Uh, uh, uh, uh, uh (I don’t know ’bout, ayy, I don’t know ’bout that n—ga there)
Uh, uh
Say but you knowin’ how I get down (Brrt, brrt, oh yeah, bi—h)
Blow it up, up, up (Yeah)
Uh, uh (You ain’t even gotta know)

[Verse 1]
Look, baby, let me see it tonight
I done f—ked up
Brothers got me f—ked up (Wow)
Baby, you done lucked up (Yeah)
Big guns in all of my trunks (Woah, woah)
Babygirl, it’s f—ked up (Woah, woah)
Babygirl, we keep it in a pendant (Woah, woah, woah), we don’t trust them

[Chorus]
I’m a motherf—kin’ muddy, pourin’ lean, it ain’t sip (Pourin’ lean, it ain’t sip)
Don’t know one thing ’bout me, they know I got my pistol
I’m a motherf—kin’ baller, I wan’ leave with you (With you)
I done pulled off on lil’ shorty and she read my fender (My fender)

[Verse 2]
And she gon’ work with that ass (That ass)
I want her, stamp the bi—h bad
Still don’t stop Lil Top
If you can, I don’t give no f—k, I’m gon’ flash
N—ga f—k with somethin’ bi—h I’m yeah
Now, cut up bad, bi—h, oh yeah
And I’m quick to bust the bi—h ass
N—ga what the f—k you just said? (N—ga, yeah)
Here this p—sy-boy with that playin’
I plan to whoop the bi—h head
Bi—h, if I crash out, you gon’ have to call the laws for me (For me, now)
Tell them blitz out, they ain’t gon’ come back ’til they down somethin’ (Man, one)
Roll his ass, stomp on that boy, walk him down somethin’

[Verse 3]
I’m a motherf—kin’ robber (Yeah), out the motherf—kin’ gutter (Yeah)
Baby, I want all the problems (Kentrell)
I’ma bust him, make it ugly (Wow)
Mr. Work ‘Em With That Chopper (Hey)
Mr. Presi’, Mr. Ugh
Mr. Sell It With My Partner (Mr.)
Mr. Got A Whole Lotta (Streams)

[Chorus: YoungBoy Never Broke Again]
I’m a motherf—kin’ muddy, pourin’ lean, it ain’t sip (Pourin’ lean, it ain’t sip)
Don’t know one thing ’bout me, they know I got my pistol
I’m a baller, baby, and I’m tryna leave with you (Safe)

[Verse 4]
Chief on weed, and sip on that codeine with you (Hey, hey)
Need to go buy some lean with you, win with you (Hey, hey)
She used to drink Quay, too
Bi—h want baby shoes
She wanna stay the night
Bi—h tryna play it cool
Crush the Molly like some ice
She gon’ call me Baby Booter
She gon’ call me Baby Booter
She gon’ call me Baby Booter

[2nd Part]

[Intro]
(Alright, Brando)

[Chorus]
Hands on your knees, bi—h, twerk it for me
Fine than a motherf—ker, bi—h, perfect for me
I’m a boss, I ain’t no worker, I’ll have them dirt you for me
Got plenty knots off in my pockets, come try take it and see
Bi—h heard that cutter pop, pop, pop, pop, pop, pop
Make her body drop, drop, drop, drop, drop, drop
Bi—h, bah, bah, bah, bah, bah, bah, bah
Bi—h, now, wop, wop, wop, wop, wop, wop ’bout Lil Top, bi—h

[Verse 1]
Huh, bi—h (Huh)
I’ve been flippin’ and gettin’ it and stickin’ up sh— an hour from that Nola
I’ve been poppin’ it, I just switched from Rolls Royce into a Rover (Rover)
I’ma shoot it first, then I reload, now, Brando, you start it over

[Verse 2]
I ain’t Hamilton, a bad bi—h put a four inside his soda (Inside his soda, woo)
I’ma get on top and ride that d—k, I call that Rollercoaster, yeah
I’m a bad bi—h, hoes ain’t f—kin’ with me, yeah (Yeah)
I got real racks, bi—h, get up with me, yeah (Get up with me)
I made a rich n—ga say he wanna tip me, huh (Huh)
I need my hair done, n—ga, send a ten piece
I need a real stepper, baby, I got real beef (Beef)
‘Cause once I throw that ass on him, they gon’ wanna kill me
No hands on top and go, go (Go, go)
Freak bi—h, I’m tryna f—k him in that Rolls (Rolls)
Throw that money in the air and watch me drop it to the floor (Floor)
“Throw that ass back,” sh—, I move it like a pro (Pro)
I only do it for a real n—ga
And n—ga you’s a ho

[Chorus]
Hands on your knees, bi—h, twerk it for me (Yeah)
Fine than a motherf—ker, bi—h, perfect for me (Yeah)
I’m a boss, I ain’t no worker, I’ll have them dirt you for me (Yeah)
Got plenty knots off in my pockets, come try take it and see
Bi—h heard that cutter pop, pop, pop, pop, pop, pop
Make her body drop, drop, drop, drop, drop, drop, drop
Bah, bah, bah, bah, bah, bah, bah
Bi—h, now, wop, wop, wop, wop, wop, wop ’bout Lil Top, bi—h

She Gon Call Me Baby Boo (Meaning) Lyrics

[Intro]
The intro sets the tone right away. It’s chaotic, full of ad-libs, and introduces us to YoungBoy’s state of mind. He’s flexing his street credibility while hinting that he’s constantly under pressure — whether from enemies or his own lifestyle. The mistrust and paranoia he expresses carries through the rest of the track.

[Verse 1]
This verse opens with emotional weight. YoungBoy admits he’s messed up — possibly in relationships, with his brothers, or in life generally. But even through the mess, he’s still flexing: big guns, fast life, and untrustworthy surroundings. There’s a coldness to how he talks about relationships and trust, showing how hardened he’s become by betrayal.

[Chorus 1]
Here, the focus shifts to substance use and identity. “Muddy” refers to sipping lean (codeine), and it’s used here not just to talk about addiction, but also as a symbol of status and culture. He reminds everyone that while they might not know much about him, one thing is for sure — he stays strapped. This chorus balances street credibility with a sort of emotional numbness.

[Verse 2]
This section turns up the aggression. YoungBoy is in full flex mode — talking about girls, guns, and the violence he’s ready to bring if disrespected. It’s raw, chaotic, and volatile. There’s no filter here. He makes it clear that he’s unpredictable and that crossing him will have real consequences. The verse also highlights how quickly things can escalate in his world.

[Chorus 2]
The repetition of this chorus reinforces that lifestyle: drinking lean, staying armed, and living fast. It’s almost hypnotic — showing how this cycle repeats in his daily life.

[Verse 3]
YoungBoy taps into his alter egos here. He names himself in different roles — a robber, a boss, someone who handles business through violence if needed. This verse is about persona and reputation. He’s showing that he wears many hats in the streets, and he’s respected (or feared) in all of them.

[Chorus 3]
Same message, but more personal now. With just YoungBoy on the hook, it hits harder. It feels like a solo reflection in the middle of all the noise — a reminder that no matter who’s around, this is his story.

[Verse 4]
This verse focuses on a romantic (or maybe transactional) relationship. He’s getting high with a girl, but trust is still low. She’s trying to “play it cool,” but there’s a sense that she’s just along for the ride. There’s also drug use (Molly), material wants (baby shoes), and emotional distance. The repetition at the end gives it a haunting, almost childlike finish, as if he’s clinging to some softer identity despite the chaos.

[2nd Part Breakdown]

[Intro 2]
This is just a producer tag, but it signals a shift — this part of the song goes into club/strip club territory. The energy changes, and now it’s about turning up, not trauma.

[Chorus 4]
Straight-up strip club anthem. High energy, aggressive, and made for bouncing. The lyrics are raunchy, but behind the flexes are hints of violence and control. It’s a mix of lust and power — he wants to be entertained, but also respected.

[Verse 1 – Second Part]
Here, YoungBoy brags about how fast his life is moving. He’s in and out of luxury cars, still active in the streets, and always ready to shoot first. The transition from Rolls Royce to Rover represents his ability to move between levels of wealth and still stay dangerous.

[Verse 2 – Second Part]
This female verse switches perspectives. It’s confident, raunchy, and dominant. She’s asserting her power in the same way the men do — flexing sex appeal, street smarts, and luxury. Her allure comes with real risk, especially around jealous partners or rivals.

[Chorus 5 – Final Hook]
By repeating this chorus at the end, the track circles back to the high-energy, club-ready vibe. It’s like closing out with a bang — a last reminder that even with all the drama and danger, the show (and the flexing) never stops.

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